So. I forget things. Like blogging. Could be early onset alzheimer’s. This will be a three week roundup all in one nifty minimum 9 picture, 600 word posting. Enjoy!
Part 1: Semester Week 3ish
A lot happened in this week. Finally confronted some negativity in the studio and got a lot off my mind. I have been working about 80% in slip casting at this point and it is going well so far. At first it is very sloppy and I am losing lots of pieces just figuring out timing and whatnot. Having loaded a lot of other students mold work into the kiln I have seen the difference experience can make as far as uniform thickness and nicely cleaned up pieces. The question to ponder is where to work between the spectrum between finely reproduced, spotless near reproductions, and more loosely created, rough creations. This first picture is of glaze test tiles we made as a class. I will discuss this further in next week’s blog post, not as in parts 2 or 3 of this post, but next weeks actual blog post. If I remember to post it anyway.
Next up is a mug I had coffee from at the Great Western Diner next to the Indianapolis fairgrounds. I recommend it highly if you have business near the fairground in Indianapolis. It is on the eastern corner of the grounds on 38th street. 
I have been looking up a lot of old mug molds on Ebay. I am thinking I may have to start pouring a lot of old school ceramic mugs. From a business standpoint this may be a profitable venture. OR I might just end up with a hoard of molds. Ill worry about it when I get to that page in the choose your own adventure book. This final picture from week 3 was taken at a local antiques mall. I am looking for some asian inspiration in some future sculpting work I hope to do.
And on to Part 2:
I have continued with the molding. The forms are getting tighter, my turnaround times are improving. I am learning when to throw the molds in the dryer by the way they feel to the touch. This is reducing my amount of pieces that break in the mold. Two ash tray molds are continuing to cause hassles. My biggest issue with all of them is how sloppy the pour holes end up looking afterwards. I am hoping to work a couple with my dremel tool post bisque firing to see if it helps clean and smooth the edges. Outside the studio, I decided to finally build a shelf system for all my ceramic vessels spread across the floor in my apartment. After writing down plans to build one I ended up in home depot where they had a pre fab unit that was to the exact specifications I wanted. Hello credit line.

The next picture is from the dirtbags art show that we put on. This piece is what I submitted. The red planter had been previously shown in my ba show last semester. The plant has since grown quite a bit. The other piece was unshown and is one of my favorite pieces I have ever made. It was one of the first pieces crafted to uniform proportions and one of the few where the glaze came out 100% as planned.

And finally, the hibotan collection has a new backdrop. A gift from an amazing person, the city of Dresden. 
And finally we arrive at part 3:
The molding is still getting better. I have begun experimenting heavily with colorants. I have been making formulas for creating colored slips. So far I have made five. A slip mixture with red art, yellow ochre, rutile powder, yellow iron oxide, and teal mason stain. 1: The red art mixture came out really well. The pieces have molded well and it ends up a very light pinkish on the clay body. I plan to mix another version of this slip but with a lot more red art. I am hoping to make a more terra cotta like slip. It will likely be low fire but I have been making cones with most of these colorants to temp test them. 2: The yellow ochre was very difficult. Only a handful of the pieces came out. It dried very slowly. This made the pieces warp and tear easily during removal from the molds. The pieces that fired all the way ended up pink after a bisque firing. 3: The rultile mix pieces performed just like regular slip. I added less of this powder than I have other additives and will be making another batch with a lot more powder. These bisque fired to a very light yellowish grey. 4: The yellow iron oxide pieces came out very well. It thickens/dries more quickly so some of the pieces are heavier but I barely lost any. It was a much heartier body than the others. None of these pieces have been bisque fired. 5. The teal mason stain pieces came out as well as the yellow iron oxide. After dry they are a very light pastel blue. None have been bisqued. I am hoping to create a lot of different color clay bodies to later experiment with various glaze combinations. Some I plan to leave unglazed, others I hope to wood fire, still others I hope to simply clear glaze. It should be interesting. The first piece is bisqued regular, rutile, and red art molded pieces.
This next is yellow iron oxide and mason stain pieces. 
The final picture is also yellow oxide and mason stain

And we are caught up to monday, february 13th. Its my dad’s 70th birthday.